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            Web Exclusives: 
              Under the Ivy 
              a column by Jane Martin paw@princeton.edu 
             
            April 5, 2006: 
            ‘The 
              alma mater he never left’ 
              The complex relationship of Princeton and F. Scott 
              Fitzgerald ’17    
            “As for past issues of PAW  are they not indeed a 
              potter’s field?” wrote three indignant former Nassau Lit 
              editors in the April 13, 1956 issue. 
             As one who has spent the past four years digging 
              around in that very not-so-hallowed ground, I must object (making 
              me an indignant former PAW editor). Take the March 9, 1956, issue 
              on F. Scott Fitzgerald ’17 that so upset the Lit-erati: inimitable 
              editor John Davies ’41 pulled together “Three Original Essays Which 
              Explore the Complex Relationship between Princeton’s Most Distinguished 
              Author and the Alma Mater He Never Left.” Admittedly, Davies was 
              stretching the definition of “original” a bit, given that the first 
              essay, by Fitzgerald’s daughter, was lifted from a 1942 Nassau 
              Lit (which was the cause of the three editors’ ire; Davies described 
              the piece as having been “buried” in the magazine, while the editors 
              protested that in fact it had been a centerpiece of the issue). 
             Original or no, the three pieces  particularly the 
              first two  work wonderfully together to illuminate two different 
              sides of a complex man. (The third essay, written by Davies himself, 
              is an entertaining look at Fitzgerald’s obsession with Princeton 
              football.) 
            Frances Scott Fitzgerald Lanahan’s tribute lovingly 
              explores her father’s intellectual passion, quoting him at length 
              about his love for poetry. “Poetry is either something that lives 
              like fire inside of you,” Fitzgerald wrote to her in a letter, “or 
              else it is nothing, an empty, formalized bore around which pedants 
              can endlessly drone their notes and explanations. The Grecian 
              Urn is unbearably beautiful with every syllable as inevitable 
              as the notes in Beethoven’s Ninth Symphony or it’s just something 
              you don’t understand. … I suppose I’ve read it a hundred times. 
              About the tenth time I began to know what it is about, and caught 
              the chime in it and the exquisite inner mechanics. … For awhile 
              after you quit Keats, all other poetry seems to be only whistling 
              or humming.” 
             Though she acknowledges his love of campus life, 
              especially football  as a young girl, at one game, she accidentally 
              swallowed a safety pin, and when she screamed the fact to her father, 
              he responded calmly, “Daughter, I don’t care if you’ve swallowed 
              a sewing machine. Pepper Constable has the ball”  she also says 
              that he “hardly ever went to Reunions, and he constantly deplored 
              the club system.” She also quotes him in another letter: “Though 
              I loved Princeton I sometimes felt that it was a by-water, that 
              its snobby institutions were easy to beat and to despise and that 
              unless I were a natural steeplechaser or a society groom I’d have 
              to find my own private intellectual and emotional life. … I got 
              nothing out of my first two years  in the last I got my passionate 
              love for poetry and historical perspective and ideas that in general 
              (however superficially) that carried me full swing into my career.” 
             It is jarring, then, to read the bald opening of 
              Henry Dan Piper ’39’s essay: “During Scott Fitzgerald’s first three 
              years at Princeton (that is, until he flunked out of the Class of 
              1917 mid-way in junior year), he devoted most of his talent and 
              energy to establishing himself securely in the campus social hierarchy. 
              By the beginning of Junior year his goal of becoming a Big Man on 
              Campus seemed within easy reach.” Piper goes on to analyze Fitzgerald’s 
              career at Princeton as a whole, concluding that the academic side 
              of his tenure there was less than significant. “In spite of his 
              recognized creative ability,” Piper writes, “no lasting fruitful 
              connection ever seems to have been established between this talent 
              and his studies. In fact, one of his English professors maintained 
              until his death that Scott Fitzgerald was quite incapable of writing 
              a book as good as The Great Gatsby; that, in fact, he had 
              stolen the manuscript from another more talented student who always 
              got better English grades than Fitzgerald!” 
             The issue received great attention from alumni beyond 
              the irritated Nassau Lit editors. Wrote one of Fitzgerald’s 
              classmates, ”I do wish to congratulate you for the Fitzgerald number 
              of the Weekly and assure you that regardless of how annoying, 
              exasperating, or frustrating Scott was at times he was never dull, 
              and I was very fond of him.” 
             Incidentally, of course, Fitzgerald died with an 
              issue of PAW in his hand. Need we say more?  
             
              
            Jane Martin 89 is PAW's former editor-in-chief. 
              You can reach her at paw@princeton.edu 
                
             
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